Skip to content
Vormura
CallRequest a quote

LEAD TIME

Lead times per material, in plain numbers

How long a sculpture takes depends on material and size. Below is what you can expect - and how we plan backwards from your date, so the delivery date in the proposal holds.

LEAD TIME

1 to 50,000 pieces

From a single piece to a large edition

ISO 9001 managementsysteem certificatie (DNV)

ISO 9001

Certified quality management system

EcoVadis Platinum sustainability rating

EcoVadis Platinum

Sustainability at the highest level

Winnaar Leverancier van het Jaar 2025

Supplier of the Year 2025

Winner of the prestigious industry award

Lead time varies by material: 3D printing is usually the fastest, bronze takes the most time. If you are working towards a fixed day, we plan backwards from that date and fix the delivery date in the proposal.

Lead times per material

Lead time and work per material
MaterialLead timeWhere the time goes
Bronze10 - 14 weeksmould making, casting, finishing and patinating
3D print2 - 3 weeksprinting runs continuously, finishing is done by hand
Stainless steel8 - 12 weekswelding, grinding and polishing
Bronzed tin alloy6 - 8 weeksmould making, casting and bronzing
Cast iron6 - 8 weeksmould and casting process
Resin6 - 8 weeksmould making, casting and finishing
Ceramics4 - 6 weeksbuilding up, drying and firing (the firing process cannot be sped up)
Paverpol clay2 - 3 weeksbuilding up and curing
Wood2 - 3 weeksdrying and carving
Glass6 - 8 weeksshaping and cooling

What determines the lead time

  • The material: casting and firing have their own pace; printing runs continuously while nothing happens at the table.
  • The size: larger means more production steps and often more finishing.
  • The design phase: the sooner the story is clear and the proof is approved, the sooner production starts. This phase can usually be influenced; production itself cannot.
  • The placement: a sculpture with a foundation or anchoring requires preparation on site.

Planning backwards from your date

In the first conversation, name the date of the unveiling, the reception or the fair opening. We plan backwards: production, proof stage, design and briefing, with margin for the placement. That gives the latest start date - and that, together with the delivery date, is fixed in the proposal.

When it gets tight

Sometimes the date is closer than the material allows. If so, we say so straight away, and discuss what is possible: a different material with a shorter lead time, an adjusted size, or an unveiling in two steps - the design presented on the day itself, the sculpture placed shortly after. What we do not do is promise a date we cannot meet.

Plan backwards from your date

Name the day that is fixed; you will hear straight away whether it is feasible.